Bernd Salfner, Johannes Hüttemann and Artur Stoll
September 3 to October 13, 2006: Line - Surface - SpaceThe showcases in the entrance hall herald the theme of the exhibition: Line - Surface - Space: Salfner's rulings, concretized in shredder loops, appear as a fictitious outline of a body, transform into contoured surfaces in Hüttemann's work and present themselves as compact and expressive fantasy forms in Stoll's work.
Reinhard Klessinger's expansive typeface entitled "Unterwegs mit Jean Santeuil" (On the road with Jean Santeuil) from 1994 wants to be unraveled - if that is at all possible and desirable.
Artur Stoll's drawings at the end of the Attica corridor vary the theme of "fantasy form". The works, dating from 1978, show Stoll's passionate curves and contours.
Intense engagement with the pictures and objects: The filigree musical gems by Kerstin Bögner - she performed avant-garde pieces for recorder - inspired the visitors. Bernd Salfner's figurative torsions gained movement and contour.
Delicate and barely visible! The eye has to work for the pictorial objects. Or to put it another way: have our organs of perception been so dulled by a glaring media world that we can no longer hear the quiet sounds? The pictures "Orto e Frutta" and "Brutti e Buoni" by Christina Ohlmer from 2006, which are printed on tracing paper, could provide an answer.
At the end of the corridor, the inevitable "object collection" by Mateusz Budasz. Inevitable? No, the collage from 2006 called "Temporary Composition" underlines the exhibition concept: lines and surfaces meet in space here.